Guest Artist Austin Casebolt to open the 25-26 Keator Gallery Exhibition Series
AUSTIN GRANT CASEBOLT | figuring remediation
Keator Gallery, Hopkins School 986 Forest Rd, New Haven, 06515
Artist Reception: Friday, September 5th, 6 - 8 PM EST
Gallery Hours: Monday - Friday | 8:00 AM - 4:00 PM EST
austincasebolt.com | IG: @austincasebolt
Keator Gallery is pleased to present Austin Grant Casebolt, figuring remediation. In this survey of new and recent work, Casebolt processes themes of ecology and economy while exploring the dimensions of power as a provision.
In this reflection of his rigorous multidisciplinary practice, Casebolt’s concepts take form in oil paintings, mixed media works on paper, and photograms. Through distinct visual poetics, figuring remediation refines a fraught kinship towards industrial mining. While sweeping in their epistemological and philosophical considerations, the compositions, both intimate and vast in scale, concretize abstract vignettes of Casebolt’s lived experience.
A polymath practitioner with a maximalist range of media in his oeuvre, Casebolt’s background in traditional oil painting collapses compelling works with a keen mastery of his irregular application of coal pigment on hauntingly reductive works. When considered beside pigment applied to ground his compositions petition the viewer to enhance their proximity with a metaphysical application of the rural atmospheric perspective. These suspended works in exhibition echo the eco-temporal, sensory, and emotional limbo that underpin the work itself.
Casebolt’s photograms conversely expand upon and complement his earlier coal-tar works to include rural iconography. High contrast art is set against light-resistant coal, rendered white through its opacity. Bituminous minerals obstinate permeable light from burning photosensitive surfaces. Raw energy is hurtled from the cradle of subterranean mines to the jarring presence of light, the works endure a startling return to specificity. As neither the materials, nor their referent, exist in isolation, together the assemblages and photograms produce a push-pull catch and release, a reflective space to consider humanity’s relationship to the ecological and economic forces inextricably embedded in fossil fuels.
Casebolt’s work has been shown in exhibitions at High Noon Gallery, Anna-Maria and Stephen Kellen Gallery, Shelia C. Johnson Design Center, Parsons 25 East 13th Gallery, Owensboro Museum of Fine Arts, Ralph Center Gallery, Owensboro RiverPark Center, Jones Visual Art Center, Transylvania Morgan Gallery, Webber Art Gallery, Claypool Young Gallery, Kentucky Folk Arts Center, Janice B. Ford Gallery, McCall Art Gallery, and the Western Kentucky Botanical Garden.
ABOUT KETOR GALLERY
Conceived as part of the Baldwin Hall renovation initiative in the early 2000s—a project that also saw the construction of the adjacent library and its accompanying public patio—the gallery was established to serve as a dynamic, pedagogical, and cultural node within the broader institutional architecture. Keator Gallery has since evolved into a site of critical inquiry and aesthetic engagement for both students, emerging and established artists.
The gallery has hosted a robust program of exhibitions ranging from solo presentations and thematic group shows to historical retrospectives and community-centered projects. Recent exhibiting artists include Jason Ting, Kwadwo Adae, Faustian Adeniran, and Mohamed Hafez, whose works exemplify a range of contemporary discourses across media, identity, and socio-political narratives. In addition to professional artists, the gallery maintains a strong commitment to fostering local creative ecosystems through faculty exhibitions, school heritage displays, and an ongoing rotation of student-driven works.
As both a pedagogical laboratory and a site for public encounter, the gallery remains committed to curatorial experimentation, interdisciplinary dialogue, and the amplification of diverse artistic voices.
For additional information, visit austincasebolt.com | IG: @austincasebolt
Select Projects | Scenic Art and Design
Press Release | High Noon Gallery, 124 Forsyth Street, New York, NY 10002
In painting terms, the colors black and white indicate the presence and the absence of light, in his New York solo debut exhibition, multi-disciplinary artist Austin Casebolt (born 1994, Pikeville, Kentucky), pushes this binary to its breaking point, instigating and transcending the inherent contradictions around an object that simultaneously comprises his medium, subject matter, and content: bituminous coal. This excavation of coal is done through the mobilization of light as a medium, both in photographic processes and in the creation of surfaces that absorb and reflect ambient light.
A series of entirely new works from Casebolt assemblages rendered in tar, coal and paint on panel, and photograms, expose through their distinct visual poetics of humanity’s fraught dependence upon coal mining and the ambiguous understanding around this precious resource. Both taken wholly out of context and situated firmly in the coal belt of the American South, the works operate as vignettes of microscopic and monumental proportions.
The surfaces of Casebolt’s tar and coal assemblages are at turns confrontational and vulnerable, evoking volatile fragility, implicit violence, economic and ecological effect, and luxurious abundance that the materials suggest and embody in metaphor and reality.
The irregular coal fragments suspended in frozen pools, splatters and ripples of tar, produce a sensation that suggests both sinking and rising. This suspended motion echoes the temporal, sensory, and emotional limbo that underpins the work itself.
Casebolt’s photograms, conversely expand upon and complement the coal-tar works to include scenes of rural iconography, set against the light-resistant coal—rendered white through its opacity, the mineral’s obstinate refusal to permit light to pass onto the photosensitive surfaces—hurtled from the cradle of subterranean mines to the jarring presence of light, the works endure a startling return to specificity. As neither the materials nor their referent exist in isolation, together the assemblages and photograms produce a push-pull catch and release, a reflective space to consider humanity’s relationship to the ecological and economic forces inextricably tied to coal mining.
Casebolt’s work has been shown in exhibitions at High Noon Gallery, Anna-Maria and Stephen Kellen Gallery, Shelia C. Johnson Design Center, Parsons 25 East 13th Gallery, Owensboro Museum of Fine Arts, Ralph Center Gallery, Owensboro RiverPark Center, Jones Visual Art Center, Transylvania Morgan Gallery, Webber Art Gallery, Claypool Young Gallery, Kentucky Folk Arts Center, Janice B. Ford Gallery, McCall Art Gallery, and the Western Kentucky Botanical Garden.
About High Noon Gallery
Founded by Jared Linge in 2017, High Noon Gallery advocates a model of promoting and selling artwork that is pro-growth and collaborative. High Noon works with other galleries, non-profits, and institutions to introduce clients to outstanding exhibitions, while promoting artists through commercial and non-commercial avenues. High Noons roster is comprised of promising emerging talent as well as established artists collectively belonging to major collections such as MoMA, the Broad, LACMA, The Metropolitan Museum of Art, and others. Through our exhibitions and projects, we facilitate bringing new or under-recognized artists and their vibrant perspectives amongst the discourse of contemporary art to a deserving market, while embracing the malleable, collaborative future of the art world.
FOUNDER
Austin Casebolt | Founder | 2024 | oil on canvas | 36” x 72”
“At the Mass of the Epiphany, at School of Holy Child, Rye we welcomed a beautiful reflection from Visual Arts Faculty Austin Casebolt, followed by the unveiling of his stunning portrait of our founder, Cornelia Connelly, titled “Founder.”
In his heartfelt remarks, Mr. Casebolt shared, “As I researched a setting that could illustrate the joy Cornelia lived, I learned of her call to face the realities of the world and how, especially in nature, she was capable of furthering her relentless pursuit."
It is our hope that the “Founder” will travel to other Network schools so that all young people benefiting from her life’s work will see her in a bright new light. Upon her return to Holy Child Rye, Mr. Casebolt intends to enter the portrait in The National Portrait Gallery’s Outwin Boochever Portrait Competition.”
Austin Casebolt | Founder | 2024 | oil on canvas | 36” x 72”
Cornelia Connelly, SHCJ (January 15, 1809 – April 18, 1879) was an American-born educator who was the founder of the Society of the Holy Child Jesus, a Catholic religious institution. In 1846, she founded the first of many Holy Child schools, in England.
Connelly has been proposed for sainthood in the Catholic Church. In 1992, she was proclaimed as venerable by Pope John Paul II.
UPCOMING | SOLO EXHABITION |
UPCOMING | SOLO EXHABITION |
Morehead State University’s Golding-Yang Gallery is located within Claypool-Young , is a pivotal educational and cultural component of the Department of Communications, Media, Art & Design, the Caudill College of Arts, Humanities and Social Sciences, at Morehead State University. Through national calls for entries for both group and thematic exhibitions, the gallery showcases the work of primarily American contemporary artists. The recently renovated three-level gallery features approximately 2,500 square feet of exhibition space with a screening room to display new media.